whats_on.gif

Coming up

  • Friday 5 March 2010

    Piatti Quartet

    Finalists in the 2009 Royal Overseas League competition and winners of the Tunnell Trust Award 2010/2011, the Piatti String Quartet are fast emerging as the UK's leading young string quartet.

    Information Book tickets

2010
MTWTFSS
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

BOOK ONLINE
Click here to book online

BROCHURE DOWNLOADS

Autumn - Winter 2010 (PDF - 3.3MB)
 
BOOK NOW!

For a seating plan of the Concert Hall and more information click here

BOX OFFICE
Snape Maltings Concert Hall Visitor Centre and Aldeburgh High Street
Mon-Sat 10am-4pm
Tel. 01728 687110
boxoffice@aldeburgh.co.uk

EXHIBITIONS
Click here for details about forthcoming exhibitions

BEHIND THE SCENES

2-10 September
Strauss and Wolf Lieder
Lieder pianist Roger Vignoles explores the interpretation of masterpieces by two of the greatest song composers with singers and pianists from the Britten–Pears Programme. Vocal consultant Penny Mackay assists with input from Lieder specialist Susan Youens.

13-22 September
International Academy of String Quartets
Aldeburgh's world-renowned annual programme for developing young quartets kicks off with masterclasses by Isabel Charisius. She is joined this year by violinist Ilan Gronich, former member of the Israeli and kreuzberger Quartets
 

4-8 October
The Rare Theatricall

This young London-based vocal and instrumental ensemble specialises in the music of Henry Purcell and his contemporaries. The Rare Theatricall will spend a week in residence semi-staging a 17th century English play with theatre director Tom Morris
 
11-16 October
Britten Weekend - Guy Johnston
Guy Johnston explores Britten music for cello including an unpublished work with piano and 2nd Suite

1-4 December
Revenge of the Folksingers
Scottish based baroque/folk fusion group Concal explore British song repertoire from both sides of the English-Scottish border with singers including Martin Carthy and Glasgow legend Michael Marra. The intention is to stage a “good-humoured revenge” of the traditional artists for what some might see as the gentrification of their culture in the folk song arrangements of Britten and Pears